Friday, November 1, 2019

The Basic Islamic Message of One God Assignment Example | Topics and Well Written Essays - 500 words

The Basic Islamic Message of One God - Assignment Example Muslims regard the prophets who preceded Muhammad as Allah’s messengers. However, Muslims believe that all the prophets who preceded Muhammad are lower than Muhammad himself, for Muhammad brought a fuller and clearer message of Allah. Nevertheless, faith in Allah’s prophets is important as it is in the pillars and articles of Islam. Muslims are categorical that Allah sent his prophets to every nation and that these prophets appeared and preached all over the world. Because of this, it is an effort in futility, trying to make a full list of the names of all the prophets. Muslims have to believe in all the prophets nevertheless without distinction and discrimination, just as it is written in Quran 2:136, 285 and 384 that Allah makes no distinction among the prophets. According to Muslims, the prophets who preceded Islam helped strengthen the basic Islamic message of the oneness of Allah by preaching and teaching this message. Specifically, all the prophets spoke of Allah as an all-knowing and all-powerful being who alone was worthy of devotion and worship. The prophets made it clear that the belief in, devotion and worship of Allah is what characterized true religion. The prophets also taught of the consequences that would follow anyone who does not believe in the oneness of Allah. Indeed, the Queen teaches that Islam faithfully proceeded from prophets such as Noah Moses and Isa (Quran 42:13). In this light, it is held that scriptures given by the pre-Muhammadan prophets are genuine and sacred, as can be seen in Quran 29:46.  

Wednesday, October 30, 2019

Case Analysis (Global Management) Essay Example | Topics and Well Written Essays - 3000 words

Case Analysis (Global Management) - Essay Example Instead of attempting to over-reach the company’s total capacity, seeking opportunities to maximize its current market position would be the most appropriate. Why is this? Chabros established a competitive pricing model that was aligned with an acceptable operating margin. Coupled with this competitive advantage, Chabros also maintained a quality-focused customer relationship management process that included flexible payment terms and no requests for letters of credit. This was a sustainable strategy until the global economic recession in 2009 which radically reduced sales in certain subsidiaries. As a proven business model of CRM and the ability to establish very competitive pricing in key markets, the business would only require adjustment of its current sales and marketing strategy to achieve the desired improvements in revenues. With the business always being at risk of changing currency values, market demand, and recessionary concerns, improving capacity would add more expenditures to the operating budget that would not, likely, offset gains by simply improving output capacity for its high revenue-producing production facilities. The most appropriate strategy for Chabros is to pursue a market penetration strategy to achieve its desired results. By maximizing capacity, increases in salaries and other associated labor would be highly detrimental to achieving market success. Chabros was considering entering the Moroccan market as a means of expanding its market presence, however there are factors that could seriously impede progress in finding rapid sales success there. Firstly, tariffs are extremely high on both products, especially veneer, which would have to translate into higher pricing in order to offset these new costs. Add to this a value-added tax rate of 14 percent, it is not likely that the same competitive advantages as related to pricing would work in this market when having to incur all of these

Monday, October 28, 2019

Internet Browser Essay Example for Free

Internet Browser Essay Despite the fact that Internet Explorer 5. 5 is one of the most popular in companies, I’d like to recommend another one – Maxthon Browser 2. 0, because it is much more convenient for office working. Maxthon Internet Browser 2. 0 is a powerful tabbed browser nowadays. Its main advantage is a highly customizable interface. Although Maxthon Browser is based on the engine of Internet Explorer, it has many additional efficient features. What works in Internet Explorer works as well in Maxthon Browser and even better and faster. (Maxthon). Maxthon Browser includes many new features involving full customization of layout, new clean interface, multi-tab workspace, better security and improved rss/podcast reader. Until nowadays a big inconvenient was: bookmarklet, toolbar and 3rd party plugins. Maxthon 2. 0 supports all of the functions compared with Internet Explorer, Opera, etc. Additionally Maxthon has few exclusive screenshots below. Nevertheless the most interesting feature of new Maxthon is its possibility to create an account and to store all necessary information and settings online. The function is simply used just by logging in. Although Opera, Internet Explorer and FireFox are more sophisticated and have got more market share, Maxthon is swiftly gaining popularity. (Maxthon) Today is the era of Internet and application functionality is able to expand beyond the operating system into the desktops and the web. Personalization and delivery is very important and Maxthon Browser with its organic growth is a serious representative of such trend. In several years Maxthon will become a key player in the Internet market, because it has serious investors such as Morten Lund, CRV, and WI Harper, growing community and actually beautiful product. I recommend Maxthon, because it differs from other browsers and makes working process with Internet easier as it includes the visible gestures and customizable Tab handling. But the most useful is if the browser is closed accidentally with ten tabs open, the next time it is opened, they are still there. (Maxthon). References â€Å"Maxthon: the Browser that Rocks†. (2006, February 28) Retried September, from http://www. techcrunch. com.

Saturday, October 26, 2019

Slavery and the Caribbean :: Slavery Essays

Slavery and the Caribbean Europeans came into contact with the Caribbean after Columbus's momentous journeys in 1492, 1496 and 1498. The desire for expansion and trade led to the settlement of the colonies. The indigenous peoples, according to our sources mostly peaceful Tainos and warlike Caribs, proved to be unsuitable for slave labour in the newly formed plantations, and they were quickly and brutally decimated. The descendants of this once thriving community can now only be found in Guiana and Trinidad. The slave trade which had already begun on the West Coast of Africa provided the needed labour, and a period from 1496 (Columbus's second voyage) to 1838 saw Africans flogged and tortured in an effort to assimilate them into the plantation economy. Slave labour supplied the most coveted and important items in Atlantic and European commerce: the sugar, coffee, cotton and cacao of the Caribbean; the tobacco, rice and indigo of North America; the gold and sugar of Portuguese and Spanish South America. These commodities comprised about a third of the value of European commerce, a figure inflated by regulations that obliged colonial products to be brought to the metropolis prior to their re-export to other destinations. Atlantic navigation and European settlement of the New World made the Americas Europe's most convenient and practical source of tropical and sub-tropical produce. The rate of growth of Atlantic trade in the eighteenth century had outstripped all other branches of European commerce and created fabulous fortunes. An estimate of the slave population in the British Caribbean in Robin Blackburn's study, The Overthrow of Colonial Slavery: 1776-1848, puts the slave numbers at 428,000 out of a population of 500,000, so the number of slaves vastly exceeded the number of white owners and overseers. Absentee plantation owners added to the unrest. Rebellion was common, with the forms including self mutilation, suicide and infanticide as well as escape and maroonage (whereby the slaves escaped into the hills and wooded interiors of the islands and set up potentially threatening communities of their own. See references in Wide Sargasso Sea). Jamaica holds the record for slave revolts, with serious uprisings in 1655, 1673, 1760 and continued disquiet after that. The documentation of revolts in Trinidad is less complete, but we know of at least one serious plot in 1805. Guiana was actually governed by a slave named Cuffy for a year after the revolt in 1763, and Barbados also had numerous plots, including s ix between 1649 and 1701.

Thursday, October 24, 2019

Little Women and Treasure Island: Fatherhood Essay

When discussing fatherhood in relation to both novels, we see that in both, the father is either primarily absent or irrelevant to the plot. The element of fatherhood comes from the characters designed to replace or substitute the absent or lost fathers. Treasure Island finds two figures available for Jim to form a paternal relationship, and the moral juxtaposition they present has as much to do with Jim growing into a moral man, as it does him choosing a path to survival. In Little Women fatherhood is represented by many different views of masculinity including Jo’s attempt to fill her absent father’s shoes. The differences and similarities between the two books determine what the role of the father figure was at the time of publication and whether the concept of fatherhood was relatively important to the novels in question. Alcott wrote her novel at the request of her publisher and for a particular market, this to a great extent; is responsible for her interpretation of the male and female characters and the nineteenth century attitudes towards femininity and masculinity. In producing a book aimed specifically at children and more specifically girls, Alcott was under pressure to produce a familial image that would sell. In part two of Little Women any of the feministic qualities which Jo exhibited have been abandoned to conform to popularity, â€Å"she altered her values in deference to the opinions of others† (Fetterley, 2009. p.30) again in keeping with the attitudes of the public Alcott’s girls grew ‘agreeable’ to the men around them and learned â€Å"to put a man in the centre of her picture.† (Fetterley, 2009. p.21) For Jo this is instead of, being the man in the picture. She binds them to men who represent a father towards them both in experience and age. Each Mar ch girl except Beth marries a man who is above her own level of intellect and older, as Fetterly puts it; â€Å"they must marry their fathers, not their brothers or sons. Thus Laurie gets Amy, who is a fitting child for him, and Jo gets her Papa Bhaer†( Fetterley, 2009 p. 29) the term Fetterly uses to describe professor Bhaer, is in fact the role he is expected to fulfil, as each girl chooses her husband they are; as such being handed over by one father figure to another. The role of the father is closely looked at following Megs marriage to John Brooke, a struggling Meg confides in her mother that she is finding her situation difficult, she is preached to by her mother â€Å" the model little woman† (Fetterley, 2009 p.20) referred to as â€Å"my docile daughter† (Alcott, 1998 p.377) and encouraged not to forget her duty to her husband, and also to place the harder elements of motherhood into her husband’s hands. Alcott conforms to the opinion that â€Å"women’s work is not real work† (Fetterley, 2009 p.23) and therefore â€Å"the children throve under the paternal rule, for accurate steadfast John brought ord er and obedience into babydom.†(Alcott, 1998 p.383) this implies the role of the father is just as important as the mothers if not more so by hinting that mothers need guidance from their husbands in order to bring up their children, looking to their male wisdom as they would do their own fathers. This depiction of masculinity also helps us to understand Jo’s reluctance to conform to the general consensus of what a ‘little woman’ should be. She sees herself as â€Å"man of the family† (Alcott, 1998 p.9) and adopts certain masculine traits to position herself within the fatherly role during her father’s absence. Jo adopts these traits with determination to be seen as masculine hence her desire to go to war â€Å"I cant get over my disappointment in not being a boy, and its worse then ever now, for I’m dying to go to and fight with papa† (Alcott, 1998 p.7) and to be judged an active and breadwinning individual. Jo in this way shows us the desired qualities a father should possess and by portraying her absent father in a proactive way, that he is an accurate representative of the masculinity and moral conduct valued by society at this period. Alcott’s decision to produce the sequel to Little Women greatly establishes the role fatherhood plays in her story, whilst Mr March is away, Jo is fulfilling her own prophecy of being â€Å"the man of the family†(Alcott, 1998 p.9) and upon his return is free to live her life as a ‘little woman’, the significance of Beth’s death means Jo’s desire to be a man is also over, and she strives to imitate her departed sister by neglecting the proactive and masculine personality she assumed in order to cope with being head of a household. In contrast to Alcott’s desire to be successful financially, Stevenson’s own efforts concerning Treasure Island were of a more innovative intent, to create a novel which not only featured a romantic story but served merely to entertain and inspire without an element of educating. Stevenson aspires to a more unconventional style of appealing to young boys, without moral preaching or the inclusion of religious implication; which Alcott endeavours to do with her inclusion of Bunyan’s Pilgrims Progress and her references to God, the most fatherly figure of all. â€Å"If you learn to feel the strength and tenderness of your Heavenly Father as you do that of your earthly one. The more you love and trust Him, the nearer you will feel to Him† (Alcott, 1998 p.80) The fatherly characters are produced by two authors who had interesting relationships with their own fathers and who subsequently introduce their own opinions to the role of a father figure during this period. Mr March is portrayed as being central to the families success despite him being absent for the majority of the plot, â€Å"to outsiders, the five energetic women seemed to rule the house, and so they did in many things but the quiet man sitting among his books was still head of the family.†(Alcott, 1998 p.229) She goes on to say of Mr March that in troublesome times the girls always turned to him, â€Å"finding him, in the truest sense of those sacred words, husband and father.† (Alcott, 1998 p.230) This lengthy eulogy Alcott lavishes upon Mr March (Alcott, 1998 p. 229-230) could be seen as a focalisation from the March daughter’s point of view, however it is more likely Alcott’s own father is the focus here, given the books highly autobiographical status. It has also been said that through Alcott’s portrayal she manages to draw â€Å"a veil over her brilliant fathers many incompetencies† (Watson, 2009 p.14) Stevenson’s â€Å"complex† (Hunt, P (in) Stevenson 2011 p.xi) relationship with his own father is also brought into account. The fact there are two very different father figures presented within Treasure Island interprets the fluctuating relationship he had with his father â€Å"several critics have seen Treasure Island and Jim Hawkins torturous relationship with Long John Silver as an extended mediation of this† (Hunt, P (in) Stevenson 2011 p.xi) yet Stevenson’s own essay My First Book, goes into detailed account of his fathers involvement in the creation of the book â€Å"in Treasure Island he recognised something kindred to his own imagination; it was his kind of picturesque; and he not only heard with delight the daily chapter, but set himself acting to collaborate.†(Stevenson. R.L. p.56) If the complex relationship between Stevenson and his father is present in Stevenson’s portrayal of Silver and Jim; this shows us he regarded his father with a certain ambiguity and admiration in the same way Jim is drawn to Silver through the desire for acknowledgement and approval. Whilst throughout Little Women numerous focalisations take place, Treasure Island’s narration is completed by just two individuals. The relationship Livesy has with Jim is highlighted by his continued narration of the story when Jim is incapacitated in retrieving the ‘Hispaniola’. This not only allows us to hear the story from Livesy’s own focalised viewpoint, but it combines Jim and Dr Livesy as a duo. It also points to the future relationship of the two men as we note that the narrative is â€Å"written after the event with the witness of retrospectivity† (Loxley. D. p.60) hinting at a relationship continued once the adventure has ended. If Livesy is intended to represent the ideal father then Silver represents the opposite, being selfish and morally inept. Jim however, seeks the approval of Silver despite his suspicion and fear. When Silver addresses a fellow mutineer with the line â€Å"you’re young, you are, but you’re as smart as paint. I see that when I set my eyes on you, and I’ll talk to you like a man.† (Stevenson, 2011 p. 61) A similar phrase is used to sway Jim’s affections earlier in the story and Jim is quickly struck with jealousy. â€Å"You may imagine how I felt when I heard this abominable old rogue addressing another in the very same words of flattery as he had used to myself. I think, if I had been able, that I would have killed him through the barrel† (Stevenson, 2011 p. 62) Jim’s alliances are swayed and subjected to overthrows of power by the two feuding groups, he has the lure of the danger and adventure should he decide to side with Silver yet th e doctor is the ideal representative of moral decorum which Jim has aimed to exhibit so far. With this struggle taking place the power shifts between who has possession of the ‘Hispaniola’ and who has possession of Jim. â€Å"Power itself is involved in a thematic of circuitry and exchange, continually passing from one group or individual to another, never resting in or reaching a central position and dramatised in the motif of the ship which acts as a symbol of this continuous process.† (Loxley, 2009. p.62) He and Silver share an ability to infiltrate both sides of the arguing men and â€Å"become united to an extent that their duplicitous actions set them apart from the groups.†(Loxley, 2009. p. 63) In Livesy, Jim has the imperial hero who represents the ideal nineteenth century father figure, â€Å"Livesy has the expertise and respectability of the settle world in combination with the bravery and derring-do of the pirated.†(Parkes, 2009 p.74) Yet an unknown intrigue presents itself through Silver’s manipulation of Jim’s emotions, comments implying Jim is â€Å"the picter of my own self when I was young† affect Jim’s judgement of the pirate and an a ffiliation is clear. (Stevenson, 2011. p.146) Stevenson’s main mode of connecting with his target audience was the exclusion of women from the majority of the story, Jim’s mother signifies his slightly naive nature at the start of the novel yet her absence allows him to grow and progress towards being considered a man. In the same way Alcott’s Little Women are mainly alone with their mother for the first chapters, allowing the reader an insight into the world of the girls, without an overbearing masculine character to interrupt this process. Through this exclusion of opposite sexes, both authors lay out the foundations to appeal to gender specific demographics. Treasure Island is primarily a fantasy peppered with elements of realism, these aspects of realism are what keep the story engaging to young boys, only through our comparison between Jim and his father figures can we ascertain any sense of progress in Jim’s story. Through contrasting Jim to Silver or Livesy we find they are in place to aid and guide his transition through adolescence and this rite of passage adventure. In comparison Little Women is a novel steeped in realism and the relevance of the father figures highlights nineteenth century society’s attitudes to women more so than their attitudes to men, the secret of Alcott’s success is through Jo’s unfeminine qualities, by noticing the market of â€Å"tomboyish girls striving to overcome their natural indiscipline to find a place in society and a husband without compromising their own personalities.†(Watson, 2009 p.15) Alcott recognised the difficulties children faced when approaching adolescence and the reluctance to conform to a desired demeanour. Though Mr March isn’t present throughout most of the novel, his presence in the girls minds is much like that of a deity, in keeping faith that they shall please their father they seek his approval by performing moral acts of kindness and behaving like ‘little women’. When they are rewarded by his return, the masculine focus of the story is shifted to the prospective husbands and their search for approval begins once more. The theme of both novels is one of growing up, without the inclusion of a father figure to guide or to offer approval the element of childhood is lost along with the target audience. The depictions of fatherhood within the two novels are relevant because the novels are aimed at children. Regardless of the moral conduct or characterisation of these representations they are included to highlight a child’s need for adult authoritarianism; without this a child has no model for their behaviours or guardian to guide them to the next chapter of adulthood, and becoming parents themselves. Bibliography Alcott, L.M. (1998) Little women, Oxford:, Oxford Paperbacks. Fetterley, J. (2009) ‘Little Women: Alcott’s Civil War’ Children’s Literature: classic texts and contemporary trends, Milton Keynes:, In association with the Open University. Hunt, P. (in) Stevenson, R.L. (2011) ‘Introduction’ Treasure Island, Oxford:, Oxford University Press. Loxley, D. (2009) ‘Slaves to Adventure: The Pure Story of Treasure Island’ Children’s Literature: classic texts and contemporary trends, Milton Keynes:, In association with the Open University. Parkes, C. (2009) ‘Treasure Island and the Romance of the British Civil Service’ Children’s literature: classic texts and contemporary trends, Milton Keynes:, In association with the Open University. Stevenson, R.L. (2009) ‘My First Book: Treasure Island’ Children’s Literature: classic texts and contemporary trends, Milton Keynes:, In association with the Open University. Stevenson, R.L. (2011) Treasure Island, Oxford:, Oxford University Press. Watson, N.J. (2009) ‘Introduction’ Children’s Literature: classic texts and contemporary trends [Online], Milton Keynes:, In association with the Open University

Wednesday, October 23, 2019

Savvy by Ingrid Law

Savvy by Ingrid Law. Cover Illustration by Terese Dikun. Dial Books, 2008. Ages 12 and up. Savvy is a story about an unusual family, the Beaumonts, whose family members awaken powers – coined savvy – at the age of 13. The Baumont’s sons, for example, can cause hurricanes and sparks with their savvies. The novel begins with Mibs, the youngest of the Beaumont clan, as she nears the eve of her 13th birthday and is excited to discover what her savvy would be. However, tragedy strikes a mere two days before her 13th birthday as Poppa, the Beaumont patriarch, figures in a terrible accident 90 miles away from home. What ensues is an extraordinary adventure fueled by Mibs’ unwavering belief that her savvy would be able to save Poppa. Riding a pink rickety bus and accompanied by her two brothers and the preacher’s kids, Mibs embarks on a journey to awaken her savvy and prove she can save the day. Ultimately, Savvy is a story about growing up and coming to know and accept oneself and others. It teaches about learning and seeing beyond appearances and appreciating what is skin deep. Savvy is a wondrous tale of hope, love, and redemption. The novel bridges the idea that each and every individual is very special, with unique gifts that make that person unique. Ingrid Law craftily manages to incorporate all of these into a concise yet elegantly written novel while still making the story and the characterization a priority, resulting in a book that leaves the reader filled with all sorts of wonderful emotions even after turning over that last page.

Tuesday, October 22, 2019

the history of microsoft word Essay Example

the history of microsoft word Essay Example the history of microsoft word Essay the history of microsoft word Essay From Wikipedia, the free encyclopedia The first version of Microsoft Word was developed by Charles Simonyi and Richard Brodie, former Xerox programmers hired by Bill Gates and Paul Allen in 1981. Both programmers worked on Xerox Bravo, the first Microsoft WYSIW{Gword processor. The first Word version, Word 1. 0, was released in October 1983 for Xenix and MS- DOS; it was followed by four very similar versions that were not very successful. The first Windows version was released in 1989, with a slightly improved interface. When Windows 3. 0 was released in 1990, Word became a huge commercial success. Word for Windows 1. 0 was followed by Word 2. 0 in 1991 and Word 6. 0 in 1993. Then it was renamed to Word 95 and Word 97, Word 2000 and Word for Office XP (to follow Windows commercial names). With the release of Word 2003, the numbering was again year-based. Since then, Word 2007, Word 2010, and most recently, Word 2013 have been released for Windows. In 1986, an agreement between Atari and Microsoft brought Word to the Atari ST. I] The Atari ST version was a translation of Word 1. 05 for the Apple Macintosh; however, it was released under the name Microsoft Write (the name of the word processor included with Windows during the 80s and early 90s). [2][3] Unlike other versions of Word, the Atari version was a one time release with no future updates or revisions. The release of Microsoft Write was one of two major PC applications that were released for the Atari ST (the other application being WordPerfect) . Microsoft Write was released for the Atari ST in 1988. Contents [hide] 1 word 1990 to 1995 2 word 97 3 word 98 4 word 2001 mord X 5 word 2002,xp 6 word 2003 7 word 2004 8 word 2007 9 word 2008 10 word 2010 11 word 2011 12 word 2013 3 See also 14 Further reading 1 5 References 16 External links word 1990 to 1995tedit] The very first version of Word for Windows was released in 1989 at a price of US$495. [4] With the release of Windows 3. 0 the following year, sales began to pick up (Word for Windows 1. 0 was designed for use with Windows 3. , and its performance was poorer with the versions of Windows available when it was first released). The failure of WordPerfect to produce a Windows version proved a fatal mistake. It was version 2. 0 of Word, however, that firmly established Microsoft Word as the market leader. 5] The early versions of Word also included copy protection mechanisms that tried to detect debuggers, and if one was found, it produced the message The tree of evil bears bitter fruit. Now trashing program disk. and performed a zero seek on the floppy disk (but did not delete its contents). 6][7][8] After MacWrite, Word for Macintosh never had any serious rivals, although programs such as Nisus Writer provided features such as non-continuous selection, which were not added until Word 2002 in Office XP. In addition, many users[who? ] complained that major pdates reliably came more than two years apart, too long for most business users at that time. Word 5. 1 for the Macintosh, released in 1992, was a very popular word processor, owing to its elegance, relative ease of use and feature set. However, version 6. 0 for the Macintosh, released in 1994, was widely derided, unlike the Windows version. It was the first version of Word based on a common code base between the Windows and Mac versions; many accused it of being slow, clumsy and memory intensive. In response to user requests, Microsoft offered a free downgrade to Word 5. 1 for dissatisfied Word 6. 0 purchasers. [citation needed] With the release of Word 6. 0 in 1993 Microsoft again attempted to synchronize the version numbers and coordinate product naming across platforms; this time across the three versions for DOS, Macintosh, and Windows (where the previous version was Word for Windows 2. 0). There may have also been thought given to matching the current version 6. 0 of WordPerfect for DOS and Windows, Words major competitor. However, this wound up being the last version of Word for DOS. In addition, subsequent ersions of Word were no longer referred to by version number, and were instead named after the year of their release (e. g. Word 95 for Windows, synchronizing its name with Windows 95, and Word 98 for Macintosh), once again breaking the synchronization. When Microsoft became aware of the Year 2000 problem, it released the entire DOS port of Microsoft Word 5. instead of getting people to pay for the update. As of June 2013, it is still available for download from Microsofts web site. [9] Word 6. 0 was the second attempt to develop a common code base version of Word. The first, code-named Pyramid, had been an attempt to completely rewrite the existing product. It was abandoned when it was determined that it would take the development team too long to rewrite and then catch up with all the new capabilities that could have been added in the same time without a rewrite. Supporters of Pyramid claimed that it would have been faster, smaller, and more stable than the product that was eventually released for Macintosh, and which was compiled using a beta version of Visual C++ 2. 0 that targets the Macintosh, so many optimizations have o be turned off (the version 4. 2. 1 of Office is compiled using the final version), and sometimes use the Windows API simulation library included. [10] Pyramid would have been truly cross-platform, with machine-independent application code and a small mediation layer between the application and the operating system. More recent versions of Word for Macintosh are no longer ported versions of Word for Windows, although some code is often appropriated from the Windows version for the Macintosh version. [citation needed] Later versions of Word have more capabilities han merely word processing. The drawing tool allows simple desktop publishing operations, such as adding graphics to documents. Collaboration, document comparison, multilingual support, translation and many other capabilities have been added over the years. citation needed] Word 97[edit] Word 97 had the same general operating performance as later versions such as Word 2000. This was the first copy of Word featuring the Office Assistant, Clippit, which was an animated helper used in all Office programs. This was a takeover from the earlier launched concept in Microsoft Bob. Word 98[edit] Word 98 for the Macintosh gained many features of Word 97, and was bundled with the Macintosh Office 98 package. Document compatibility reached parity wi th Office 97 and Word on the Mac became a viable business alternative to its Windows counterpart. Unfortunately, Word on the Mac in this and later releases also became vulnerable to future macro viruses that could compromise Word (and Excel) documents, leading to the only situation where viruses could be cross-platform. A Windows version of this was only bundled with the Japanese/Korean Microsoft Office 7 Powered By Word 98 and could not be purchased separately. Word 2001 mord xcedit] Word 2001 was bundled with the Macintosh Office for that platform, acquiring most, if not all, of the feature set of Word 2000. Released in October 2000, Word 2001 was also sold as an individual product. The Macintosh version, Word X, released in 2001, was the first version to run natively on (and required) Mac OS X. Word 2002/XP[edit] See also: Microsoft Office XP Word 2002 was bundled with Office XP and was released in 2001. It had many of the same features as Word 2000, but had a major new feature called the Task Panes, hich gave quicker information and control to a lot of features that were before only available in modal dialog boxes. One of the key advertising strategies for the software was the removal of the Office Assistant in favor of a new help system, although it was simply disabled by default. Word 2003[edit] See also: Microsoft Office 2003 For the 2003 version, the Office programs, including Word, were rebranded to emphasize the unity of the Office suite, so that Microsoft Word officially became Microsoft Office Word. Word 2004[edit] A new Macintosh version of Office was released in May 2004. Substantial cleanup of he various applications (Word, Excel, PowerPoint) and feature parity with Office 2003 (for Microsoft Windows) created a very usable release. Microsoft released patches through the years to eliminate most known macro vulnerabilities from this version. While Apple released Pages and the open source community created NeoOffce, Word remains the most widely used word processor on the Macintosh. Word 2007[edit] See also: Microsoft Office 2007 The release includes numerous changes, including a new XML-based file format, a redesigned interface, an integrated equation editor and bibliographic management. Additionally, an XML data bag was introduced, accessible via the object model and file format, called Custom XML this can be used in conjunction with a new feature called Content Controls to implement structured documents. It also has contextual tabs, which are functionality specific only to the object with focus, and many other features like Live Preview (which enables you to view the document without making any permanent changes), Mini Toolbar, Super-tooltips, Quick Access toolbar, SmartArt, etc. Word 2007 uses a new file format called docx. Word 2000-2003 users n Windows systems can install a free add-on called the Microsoft Office Compatibility Pack to be able to open, edit, and save the new Word 2007 files. [11]Alternatively, Word 2007 can save to the old doc format of Word word 2008[edit] See also: Microsoft Office 2008 for Mac Word 2008 was released on January 1 5, 2008. It includes some new features from Word 2007, such as a ribbon-like feature that can be used to select page layouts and insert custom diagrams and images. Word 2008 also features native support for the new Office Open XML format, although the old doc format can be set as a default. 4] word 201 ocedit] See also: Microsoft Office 2010 word 2011 [edit] See also: Microsoft Office for Mac 2011 word 2013[edit] The release of Word 2013 has brought Word a cleaner look and this version focuses further on Cloud Computing with documents being saved automatically to SkyDrive. If enabled, documents and settings roam with the user. Other notable features are a ne w read mode which allows for horizontal scrolling of pages in columns, a bookmark to find where the user left off reading their document and opening PDF documents in Word Just like Word content. See also[edit]